Thursday, February 25, 2021

Quiet One...

On Cycle, my duo album with Ed Woltil, we'd been fortunate enough to have XTC guitargonaut, Dave Gregory, on board for a trio of songs. On one of them (Elastic Man), Dave had sent over a lovely slide guitar track that made me think of George Harrison. 

I've always loved George's slide playing, and I suppose there was something in both Dave's tone and the way he was playing, that to my ears, was reminiscent of the quiet Beatle. So, while working on the song, Quiet One - a fairly obvious nod to George - I knew I had to ask Dave if he might be interested in lending his formidable talents to it. 

Thankfully, he was on board, and I have no qualms about admitting that when I first heard his playing on it, I got a little emotional*, choked up, even. I mean, I was chopping onions at the time, so who knows? (Ahem). Either way though, it sounds like he's channeling George to me, and it just makes me so happy.

* Yes, I do understand that admitting to getting emotional is akin to renouncing my British citizenship. So be it.

Tuesday, February 23, 2021

Big down under? (oof!)


Nice early review of Swallowing The Sun, from Andres Kabel at Read Listen Watch, by way of Melbourne, Australia. 

You can read it here:

Wednesday, February 17, 2021

It's not rocket science...or is it?


Well, it may have taken the better part of four years (five), but I’ve finally managed to put the finishing touches to my latest long player. 

Swallowing The Sun began its long and torturous life in my old hometown of St Petersburg, FL, was interrupted by an out-of-state family relocation, and finally came to fruition here in my new hometown of Hendersonville, NC, in the Blue Ridge mountains. It wasn’t actually recorded in the mountains, of course; it was recorded in my house. I mean, I’m not John Denver.

Truth be told, I’d still be working on the bloody thing for another couple of excuse-filled years if not for the heroic efforts of my arse-kicking friend and co-producer, Ed Woltil. Aside from producing, mixing and musical hand holding, Ed’s instrumental prowess plays a major part in the proceedings and I'm perpetually indebted to him, both for his friendship, and for the fabulous and tasteful playing he contributed to this project. 


So, what does it sound like? Well, it has a dizzy love song (Dizzy Love Song); an earnest love song (Proud of Our Love); a song about being in love with family and treasuring those times when you manage to just catch yourself living in the moment with them (Mr Empty Head); as well as a gentle Beatle-ish ode to quietism (Quiet One) that features a stunning George Harrisonesque slide guitar cameo from XTC's Dave Gregory that would probably elicit a wry smile from the quiet Beatle himself


So it’s a sappy and contentedly happy album then? Er, not so fast...there are also morose lyrical references to drug addiction (Needle in The Red), a stinging rebuke of religious pretenders and fiery demagogues alike (Wild God) as well as sneering metaphorical allusions to overindulgence and feelings of disillusionment, depression and mental exhaustion (Skinful) just to even things out. Sounds like fun, right?


What? None of the usual sentimental and nostalgic hazy memory lane trips? Don’t be daft; of course there are... fish & chips, Gilbert O’Sullivan, Robertson’s jam jars, and the word, radiogramme are all included in just one song written about growing up in a northern English town in the 1970s (Milk & a Dash).


Parental Advisory: The aforementioned song features the phrase, “the smell of baked beans & spam”. A tough one to explain to the kids. Or anyone, come to that. Gluttons for punishment can listen to, and read more about the new record here at


NoteSwallowing The Sun can also be streamed at Spotify, iTunes, Apple, Amazon, and all of the usual streaming sites that continue to pay a royalty rate that has been known to cause feelings of disillusionment, depression and mental exhaustion. Side effects also include depression, irregular heartbeat, fever, constipation, diarrhea, nausea, fear of heights, fear of plumbing emotional depths, unexplained rashes, the occasional gnashing of teeth, and an irrational fear of releasing records.